AI Soundscape Empowerment and Music Dissemination in “Only Dream of the Red Chamber · Theatre Illusion City”
Scientific Journal of Humanities and Social Sciences, (2025), Vol.7, No.12, pp.434-439
Published: December 8, 2025
DOI: 10.54691/f32bpc95
Abstract
Soundscape serves as a paradigmatic practice for reproducing cross-media narratives and disseminating music. In “Only Dream of the Red Chamber · Theatre Illusion City,”the core aim is to distill a codified soundscape system that aligns with audience perceptual expectations and to apply dissemination technologies effectively, while avoiding deconstructive risks that may arise from the incorporation of contemporary expressive elements. The study highlights how AI-enabled soundscape design translates literary imagery into perceptible auditory IP, and how such systems, integrated with immersive tourism contexts, can amplify both cultural value and economic value.
Keywords:
AI Soundscape; Sound Design; Immersive Tourism; Music Dissemination; Cross-Media Narrative; Dream of the Red Chamber; Theatre Illusion City.
APA Citation:
Xiao Yao (2025). AI Soundscape Empowerment and Music Dissemination in “Only Dream of the Red Chamber · Theatre Illusion City”. Scientific Journal of Humanities and Social Sciences, 7(12), 434-439. https://doi.org/10.54691/f32bpc95
References
- Qin, Y. G. (2005). The Concept of Soundscape. Journal of Architecture, 2005(1). doi:10.3969/j.issn.0529-1399.2005.01.013.
- Liu, A., Liu, F., Liu, M., et al. (2016). Progress in Domestic and International Tourism Soundscape Research. Tourism Studies Journal, 31(3), 13. doi:10.3969/j.issn.1002-5006.2016.03.018.
- Li, Z., Gu, J. (2024). Deleuze’s Nomadic Theory in the Spatial Aesthetics of “Only Dream of the Red Chamber · Theatre Illusion City.” News and Propagation Science, 2024, 12(4), 1140–1144.
- Zhao, Z., Zhu, R., Guo, K. (2024). Aesthetic Implications of the Space-Narrative Perspective in “Only Henan · Theatre Illusion City.” Journalism and Communication Criticism (Guide to Studies), 15(19), 19–22.